A blog dedicated to being an episode guide of sorts to Doctor Who, the best science fiction show in the history of television. This blog will feature episode commentary on both new and classic series episodes. If an entry deals with an episode you haven't seen yet, rest assured, it WILL contain spoilers, mostly because I am too lazy to try to keep from putting them in or warning you about them.
Thursday, January 17, 2013
Homicidal Snowmen .... Oh My!
Clara is a dream of a companion, cute, smart and very, very flirty! She brings out something in the Doctor we haven't seen in a while ... his softer, romantic(ish) side. The new TARDIS console room is awesome!
It looks like Strax and Madame Vastra and Jenny will be recurring characters this half of the season ... but what about River Song? And how would River deal with the cheeky, flirty Clara Oswin Oswald?
All this and more tells me that this spring's half of series 7 will be one not to miss!
Lost in the Vortex
So my life had been a little crazy for a while, almost an entire year as a matter of fact. I ended up watching most of the episodes off my DVR instead of live during the first half of series 7, and I still have not watched the Christmas episode, The Snowmen. Plus it looks like if I don't watch it tonight or tomorrow night, it will be next week before I get to it.So, that being said, I am looking to add some new contributors to the site. Katrina is busy with her new site geekorama.net (make sure you give her a click), so she may or may not be able to post here. I have invited one of my students who is a fan, and I will invite a few other people as well. I you are a reader and you are interested in helping us to keep this site current, drop me a comment and I will get in touch with you.
Sunday, February 19, 2012
Autons and blondes! Going back in time ...
For the first time, Doctor Who is presented as happening within the lives of those in the episode. The Doctor has been noticed though out history ... this is one of the great ideas introduced in this episode, that there are people who have heard of the Doctor and they are seeking him out, almost like a mini cult of people obsessed with this enigmatic figure. That is probably my favorite scene in the episode. Rose is in the shed talking to Clive, and Mickey the idiot gets eaten by a trash can. And then of course, the scene with Mickey 2.0 in the restaurant kind of reminds me of Terminator 2 and the T-1000.
The updated Nestene Consciousness was awesome. I love the part where it growls out "TIME LORD!" That was something I had managed to miss the first umpteen times around that I watched it. It was an awesome episode and a worthy way to kick-start a new generation of the most famous show in all of time and space.
Well, after a nice little Doctor Who fix, I am ready to get some sleep. See you all in the vortex!
Monday, January 16, 2012
2011 Christmas Special: The Doctor, The Widow and the Wardrobe
He starts out falling from an exploding space ship, struggling to pit on a space suit as he hurtles towards the earth. Post-theme, he crashes to earth with the suit on and the helmet on backwards. He is assisted by Madge Arwell to find the TARDIS. Flash forward to Madge's husband dying in the War, and Madge and the children planning for their annual trip to a country manor owned by Uncle Digby. The Doctor is in the house posing as the caretaker, having made lots of zany modifications to the house. Madge then informs the Doctor that she is withholding the information about their father from the children until after the holidays.
The children discover a lavishly decorated tree with a large blue box (TARDIS blue no less) underneath which Cyril sees glowing when nobody else is looking. Lily visits the Doctor in his room and as they are talking, Cyril opens the blue box, revealing it to be a time portal and he steps through, shortly followed by the Doctor and Lily. The Doctor becomes concerned that something is wrong and they go looking for Cyril. All of them are soon followed by Madge as Cyril finds a lighthouse.
All of them are in the forest, Cyril enters the lighthouse and discovers a giant wooden statue of a king on a throne which turns out to not be a state at all and Madge is confronted by a group of soldiers. The scenes keep jumping from character to character which is typical of Steven Moffat's storytelling style. The soldiers are from Androzani Major (a nod to the classic series) and they are planning to burn the forest with acid rain and melt it down for battery fluid.. At the top of the lighthouse, another wooden creature puts a golden circlet on Cyril's head, and Madge pulls a gun on the soldiers and tries to use their platform to find her children. The circlet is a device to allow Cyril to hear the trees and hold their life force. Madge pilots the Androzani platform to the lighthouse.
Madge puts on the circlet, and the forest enters her, and the top of the lighthouse is a pod and launches into the time vortex. Madge pilots the pod through the vortex with her thoughts of her late husband, and they see her husband's plane going down. The pod lands back on earth, and the children confront their mother about their father dying. The Doctor excuses himself and discovers him waiting outside for them, having followed the light of the pod home. The Arwell family spends Christmas together and Madge encourages the Doctor to not spend Christmas alone. He departs and goes to spend Christmas with Amy and Rory.
Friday, December 2, 2011
"The Space Museum", Part 4
Sunday, November 20, 2011
The Space Museum, Part 3
Tuesday, November 15, 2011
The Space Museum, Part 2
The second episode starts with two staff persons discussing their jobs, when they are told of the arrival of the TARDIS. A group of rebels discusses the arrival of the TARDIS travelers. The Travelers discuss their course of action, and they start trying to find their way out of the museum. The Doctor is grabbed by the rebels and taken away from the others. Barbara, Vicki and Ian argue what to do in the Doctor's absence, and the Doctor escapes from the rebels by hiding inside a Dalek display, but is captured by the museum staff. He is questioned by the governor who uses thought projection device to read the Doctor's mind. The Doctor resists the questioning and the governor decides that he would be more useful as an exhibit. As the episode ends, the guards arrive to take the Doctor to the preparation room ...
I will continue watching and blogging on this episode in the not too far future.
Sunday, October 30, 2011
The Space Museum, Part 1
The TARDIS materializes and Ian is concerned because they are n longer in the clothes that they dematerialized in. Vicki gets a glass of water for the Doctor and drops it, and the glass returns to her hand intact. The travelers realize they are at museum, and they are baffled by the fact that they are not leaving any footprints in the dust. They are further baffled by a lack of soounds, and a pair of guards walk within a few feet of them and don't take notice of them despite Vicki sneezing loudly as they walked by.
Inside the museum two museum staff walk by talking, but the travelers did not hear any sound. Vicki discovers that they can't touch any of the displays, and a cuple more museum staff walk by and look right at the travelers but don't see them. They find a display containing the TARDIS and their bodies. Vicki realizes that they are out of time, ahead of their own time track. The Doctor deduces that they should wait for themselves to arrive, and then they will be back in synch. Once they are in synch, they need to prevent whatever occurance end with them as a museum display. Suddenly, the display vanishes, and they are back on track with the time stream...
Saturday, October 1, 2011
The Wedding of River Song
Sunday, September 25, 2011
"Closing Time"
"The God Complex"
Tuesday, September 20, 2011
The Girl Who Waited
In the early years of the series, when there were 42 episodes per year, different episodes would be written in order to allow the principal actors to take a week off here and there. Now they write an episode with minimal involvement of the primary characters, or rather different primary characters at different times.
Amy being trapped in a separate time stream as a method of quarantine is almost genius. Moffat is, if nothing else, able to create a great story, even if he tends to write a very confusing season. Karen Gilliam really shone in this episode, showing her versatility in showing us an older, harder, less innocent Amy Pond. An Amy who was abandoned and used the things she learned from the Doctor in order to survive.
Rory forces Amy to face herself, and we see the image of Amy the way that Steven Moffat sees her. She starts out as an innocent scottish girl, left behind and waiting for the raggedy doctor, to being the fulcrum which pivots the Doctor's life and travels, to being the mother of the person who murders the Doctor (according to the little dudes in the person-ship during "Let's Kill Hitler," but I still have my doubts). Of course, seeing older Amy swinging away with a sword and stick ... hmmm ... makes me wanna be more manly.
Rory being forced to make a choice was a great moment, especially when he told the Doctor "you're turning me into you." After all, that is what the Doctor does ... he makes decisions. It was fun to watch him force someone else to make the decision for once. But what was with him sticking his tongue out at Amy?
Wednesday, September 7, 2011
Night Terrors
Gotta love a little kid who can psychically call the Doctor across time and Space. Amy Intro .... BOOO!
A child's bedroom is the scariest place in the universe? Wow. Whoda thunk? I kinda feel for the kid, laying there with his flashlight. I don't think I have EVER been as scared as this kid looks. Of course, Rory and Amy's elevator ride to hell looks scary too. Plus a little old lady getting eaten by a pile of trash bags ... hrm.
OK, the dollhouse, kinda saw the coming, and it reminds me just a little bit of another First Doctor story, Planet of the Giants. Of course, in that case the TARDIS screwed up and shrunk everyone down, and in this case we are talking about an alien kid who sticks people in a dollhouse in the cupboard, but hey, go with it, eh?
Of course as this episode draws to a close, all's well that ends well ... of course with Stephen Moffat, one never knows ... especially with The Doctor obsessing over his own death.
Monday, September 5, 2011
Let's Kill Hitler! Ooooh, please, please, can we?
"You cannot change history, not one line! ... What you are trying to do is utterly impossible! Believe me, I know, I know!" Those were the words that the First Doctor said to Barbara when she told him that she intended to convince the Aztecs to end the ritual of human sacrifice so that Cortez would not destroy their civilization when he arrived. So when I saw the title, "Let's Kill Hitler," well, it kind of made me wonder if this was going to be another one of Moffat's misdirections. But then again, in "The Fires of Pompeii," the Tenth Doctor explains to Donna that some events are fixed and others are in flux ... the fixed ones tend to be the ones where the event shapes the whole of history after it, and lets face it, Hitler is one of those fixed points, so we are kind of stuck with him.
This turns out to be one of those wonderful "wibbley, wobbley" episodes. you know, the ones where you need to use your TV TARDIS (aka, your DVR) to go back and satisfy your "did he really just say/do that?" curiosity.
The episode revolves around the addition of Amy's friend Mel, a juvenile delinquent all growed up, and the title comes from what I think is one of the most brilliant lines in the episode: "You've got a time machine, I've got a gun, what the hell, lets kill Hitler."
I am going to try to go with a lot less detail from now on, but I think that the progression of Amy's life with Mel and Rory growing up was ... fun. Especially the fact that Amy thought Rory was gay for so long.
Temporal Grace ... does it exist or not? Well, it did once upon a time. It definitely worked back in the Fourth Doctor's era, but then by the time the Fifth Doctor came along, it didn't seem to work. In the books after the original series ended, the Seventh Doctor said that the temporal grace circuit needed looking at. Apparently he never got around to it, and he started using Temporal Grace as a "clever lie" to convince people not to fire their weapons in the TARDIS.
The Antibodies are cool, they would make awesome hall monitors in a school. No pass? Zap 'em! Oooh, and Hitler delivers a wicked right cross on Hitler. Rory really comes into his own in this episode. I am starting to like him now. The fake man with the little men inside ... Brilliant! Mel is shot and regenerates in to the River Song we know and love, except, she is not quite so lovable in this episode. Call it the redemption of River Song ... or the redemption of Melody Pond into River Song ... or ... ok, you get the idea.
The rest of the episode focuses on River going through her post-regeneration trauma (oh, and she poisons the Doctor along the way). And what is the cruelest form of warfare? Warfare of the heart. When River is being evil, she is totally badass! By the way, love the sonic cane.
In the end, Amy and Rory are rescued, River gives up her remaining regenerations to save the Doctor, and she is set on the path she must travel to become the River we know. Hang on tight, the rest of the season is looking like it will be quite a ride!
Wednesday, July 6, 2011
That TARDIS DVD Cabinet ...
Thursday, June 30, 2011
Back to the Beginning: "An Unearthly Child"
It all began in a junkyard as they say. The first part of the serial opens on a foggy London night, and a patrolman checks the gate at I.M. Foreman Scrap Merchants, 76 Totter’s Lane. He walks away, and the gate opens and the camera enters the yard and settles on a police box as we hear a distinct humming noise. Fade to Coal Hill School, where two teachers, Barbara Wright and Ian Chesterton are talking about a student named Susan Foreman. They are bothered by the fact that she seems absolutely brilliant, but astoundingly dull in other ways. Barbara had tried to visit her grandfather, a “doctor,” but found that the address on file with the school office was the junkyard at 76 Totter’s Lane. They decide to follow her home and try to solve the mystery that is Susan Foreman. The teachers leave Susan and she picks up the book and immediately upon starting to read exclaims “that’s not right!”
The teachers watch her entering the junk yard and follow her in. They discover the police box, and soon encounter an old man. They hear Susan‘s voice inside the police box and argue with the old man about it, thinking he knows something about it. Susan opens the door and Barbara and Ian force their way in, discovering that they are not inside a police box, but a very large, complex machine with Susan inside.
The old man instructs Susan to close the door, and Ian argues with the old man about wanting an explanation how a police box can contain a vast room such as the one they are in. Susan calls the ship they are in the TARDIS, which stands for Time And Relative Dimensions In Space. The old man tells them that he and Susan are exiles, cut off from their own planet without friends or protection. He talks of them being wanderers in the fourth dimension of time. Ian tries to leave and gets shocked by the console. The old man and Susan argue about letting them go, and Susan tells him that if he tries to leave, she will leave him and the TARDIS. He activates the controls and the TARDIS takes off and lands in a rocky wilderness area. The first part of the story ends with a shadow looming menacingly near the TARDIS.
The second part opens with the same exterior scene of the TARDIS and the menacing shadow. The shadow is cast by a cave man who looks at the TARDIS in disbelief. The scene switches to a tribe of cave men where one of them, Za, is trying to make fire while being ridiculed by an old woman. Za and a woman talks about who will be leader of the tribe and whom her father will give her to. The scene switches to inside the TARDIS, where Barbara and Ian regain consciousness after having been knocked unconscious by the TARDIS’s trip.
Ian argues with the old man, calling him “Doctor Foreman,” to which the old man replies “doctor who?” They talk about the ship having gone back in time, but Ian is skeptical. They all exit the TARDIS, and Ian is dumbfounded, and the old man is wondering why the TARDIS still looks like a police box. Everyone starts exploring, Ian, Barbara and Susan exploring separating from the old man. Barbara refers to him as Doctor Foreman and Ian says “That’s not his name, who is he? Doctor Who?” The Doctor lights his pipe, and is attacked by a caveman named Kal who thinks that the Doctor can show him the secret of fire allowing Kal to take over the tribe. Susan, Barbara and Ian go to his aid and find that he has been taken. They take off in search of him as the scene shifts to the cave.
Za is having a hard time keeping his position as leader in the face of a challenge from Kal, and as Kal returns to the cave carrying the Doctor. Kal convinces the tribe that if he can bring them the secret of fire, that he should be leader. The Doctor awakens and tells the tribe that he would make fire for them, but he can’t make fire without matches. This adds to the conflict between Kal and Za. Kal threatens to kill the Doctor, but is interrupted by Susan, Ian and Barbara. They are overpowered by the tribe and imprisoned in the cave of skulls. Za and the woman’s father discuss her being mated with Za. As the second part ends, the four travelers discover that the cave gets its name from being littered with skeletons and skulls and that the skulls have all been split open.
In the main cave, an old woman of the tribe departs while the others are sleeping. In the cave of skulls, the travelers use a sharp edged stone to try to cut their bonds, and the Doctor tells them to use a sharp piece of bone. The old woman leaves the main cave and is seen by the woman, Hur, who wakes Za and they follow the old woman. The old woman comes into the cave of skulls, and tells the travelers they will not make fire. Hur tells Za that the old woman went to kill the travelers, and they go to follow her, overhearing her telling them that she will she them free if they do not make fire. The old woman frees them, and they escape through a back entrance to the cave of skulls.
The travelers escape into the forest at night and are pursued by Za. The travelers stop to catch their breath and Barbara is startled when she trips over a fresh corpse of an animal. They are being stalked by a wild animal, but they are saved by Za, who kills the animal, but is gravely wounded in the fight. Barbara goes to help the wounded Za, followed by Susan. Hur resists their help, and Ian tells them he is their friend and wants to treat his wounds. They argue over helping Za, and they make a stretcher to carry Za. Kal goes to the cave of skulls and questions the old woman, and Kal kills her.
While building the stretcher, the Doctor picks up a rock, and is stopped from killing Za by Ian. They begin to carry Za back to the TARDIS. Kal wakes the rest of the tribe and leads them out to stop the travelers, blocking hem from reaching the TARDIS as the third installment ends.
The final installment of this first serial starts with the travelers being taken prisoner once again. In the cave, an argument breaks out over who killed the old woman, Kal accusing Za. The Doctor tricks Kal into showing the tribe his bloody knife, forcing him to confess. The Doctor and Ian provoke the tribe to drive Kal out, and they are once again imprisoned in the cave of skulls for their trouble. They make fire for the tribe believing this to be their ticket to freedom, and give the fire to Za. Za is attacked by Kal, and in the fight, Za kills him. They ask to be set free now that they have given Za fire, but Za keeps them prisoner, forcing them to remain and join the tribe.
As the tribe celebrates the return of fire, the travelers use the fire to trick the tribe into believing that they are dead and escape. The tribe follows when they discover the deception and give chase, but the travelers reach the TARDIS and escape as spears are thrown at the vanishing TARDIS.
Friday, June 17, 2011
TARDIS DVD cabinet starts to get off the ground!

Thursday, June 16, 2011
Everything has a beginning ...


